{"id":3446,"date":"2015-10-06T03:34:29","date_gmt":"2015-10-06T03:34:29","guid":{"rendered":"http:\/\/www.ajdancelegacy.com\/~ajdance\/?p=3446"},"modified":"2019-04-28T21:22:56","modified_gmt":"2019-04-28T21:22:56","slug":"disclosure-live-05-10","status":"publish","type":"post","link":"https:\/\/www.ajdancelegacy.com\/~ajdance\/disclosure-live-05-10\/","title":{"rendered":"DISCLOSURE Live 05.10"},"content":{"rendered":"

Long before The Beatles stepped foot onto American soil, the British Invasion had long occurred. Look no further than the indigenous peoples. Britain\u2019s hunger for world dominance, a British World Order is no covert. Evidence today: James Bond, David Beckham, Adele. Even so, America\u2019s house music community was not immune to a leveraged buyout. The Brits accepted early Chicago imports that served as blueprints for their very own commercializing of house and acid in the late 80\u2019s. Their brand of copy & conquer continued well into the latest century. Today, a slew of fresh-faced blokes are discovered, dissected, and signed to major recording labels at fiber-optic speeds. From social media to Shoreditch no cobblestone is left untouched. At the forefront of acquisition stars Disclosure: the regal face of millennial dance. With a polished PR script that reads: two brothers hailing from Regail, Surrey, musically educated, plays instruments, acquired MySpace stardom, signed with an indie-label, and remixed a songstress that charted in music magazines, online, and commercially, after all, is what the machine is made of. Perhaps more settling, on June 3, 2013, their full-length release \u201cSettle\u201d and earlier released single \u201cLatch\u201d(ed) Disclosure as dance music\u2019s emperors, except in the land that birthed their sound. In America the saying goes without saying, you only make it once you land on the American charts, a landing Disclosure accomplished fifty years after the more proper titled British \u201cMusic\u201d Invasion should have been coined.\u00a0\u00a0<\/span><\/strong><\/p>\n

On a balmy early October night, Disclosure<\/a> stepped onstage at Atlanta, Georgia\u2019s historic Tabernacle. Guy and Howard took to their swiveling techno pods. Their smiles promised the greatest. What could ever go wrong? This stop marked the fourteenth date on their \u201cCaracal<\/a>\u201d U.S. tour. \u00a0\u201cSuperego<\/a>\u201d jump-started their set. \u201cOmen<\/a>\u201d erupted in flames. \u201cF for You<\/a>\u201d proved well with Howard\u2019s chops where \u201cJaded<\/a>\u201d felt remote. After several bubbling numbers, the pop fizzled. \u201cWilling and Able<\/a>\u201d stalled. \u201cNocturnal<\/a>\u201d failed to impress, even as the lads were air lifted and played electric guitars. \u201cI heard their first album is better than the second album.\u201d A blue-eye with blond highlights spectator whispered. Perhaps so, as \u201cBang That<\/a>\u201d and \u201cWhen A Fire Starts To Burn<\/a>\u201d thrust the performance into hyper rave. With the stage lit, actual pyrotechnics exploded against erratic laser beams. A thunderous applause erupted as gigantic monitors played an animated Gregory Porter lipping \u201cHolding On<\/a>.” \u201cCaracal\u201d the concert exceled the moment Lionbabe\u2019s Jillian Harvey strutted onstage and sung \u201cHourglass<\/a>.\u201d Her bird walk and high kicks stole the show. American born Brendan Reilly appeared and sung the hell out of, \u201cMoving Mountains<\/a>\u201d and brought the chuuuuh to the Tabernacle.\u00a0\u00a0 Side note, Google him. All before the two Lawrence brothers disappeared into the black and reemerged with \u201cLatch<\/a>\u201d the show closer.<\/span><\/strong><\/p>\n

\u201cAtlanta this is so far the best show.\u201d Bragged Guy-the younger brother. Honestly this was far from their best show played in Atlanta. The Disclosure concert lacked star power. Real star power. Not to say, the band-of-brothers are not on the road to stardom, or stars themselves. But when your music plays the soundtrack to the stars, then the stars had better show and perform live.<\/span><\/strong><\/p>\n\n\t\t