AJ Dance Legacy

Thommy “Turn It Out” Davis

1600

His shirtless majesty showcasing chiseled pectorals is in beast mode. Playing heavy four-count thumps that erupts from giant black cabinets. And dancing in front of those speakers will cause hearing loss for days to come. “You’ve waited all week to dance,” proclaims a diva loudly rapping over a beat that slaps. Standing on the pavilion’s ledge is one man who leans into the ear of another and speaks, “More like [we waited] a year.”

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BLACK COFFEE

“What’s Happening to Orlando?”

2335

Already a random guy wearing black shades, his armed pinned behind lower back is being escorted by security from the premises. That’s sad. Cause the Enoo Napa Remix of Matto Cole’s “Nabay” that is playing is fire!  WTTW, if you decide to be kicked out of a club, choose to leave on one of the plethora of horrible tracks played. Otherwise, welcome to the Celine.

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Carl Craig

The Realest Muthafucka Alive

0030

“Tonight, there are no chairs.

No tables.

This is not that night.

Tonight, is for the dancers.

Hmmm. What’s the music [called]?”

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The GREEN VELVET Show

2330

Located in Amour Yards across from a commercial brewery, there stands an insipid warehouse. A long winding ramp leads to the front door where bodies are patted head-to-toe, ID’s are checked, before smartphones are scanned for admittance. Entering the nearly 12,000 square-foot premises and finding an all black male security staff proves Black Employment Matters. A walk into the oval shaped interior of copper columns and wood grain floors with highlights of turquoise, emerald and amber promises this experience might be money well spent. (more…)

ADULT SKATE-MLK EDITION

Starring: KAI ALCE, RON PULLMAN & CULLEN COLE

19.01

No roller skates are rented.

No roller skates are permitted.

No in-line skates are rented.

No roller blades are permitted.

Adult Skate is not a roller rink.

Adult Skate is an annual event where various tribes gather to dance to the hottest disco and house music south of the Mason-Dixon in the wee morning hours of the Dr. Martin Luther King Junior Holiday at MJQ Concourse on perhaps the coldest night of the year thus far. Listed is the top 14 defining moments & music played at Adult Skate-MLK Edition.    

14.  Warming up to the First Lady of Paradise Garage. The late Gwen Guthrie’s “It Should Have Been You” meanders into talking guitars and finger snaps provided by The Steve Silk Hurley Mix of

13.  Yolanda Adam’s prayerful anthem that has arms elevated and voices belting “Open My Heart.”

12.  Next, riding the disco thumper via heart-pounding four counts courtesy, DJ Kemit presents The Lounge Lizards featuring Jill Rock Jones’ “Wake Up & Stand Up” (Kai Alcé KZR Dubstrumental) as the Reverend Dr. Martin Luther King Junior proclaims “Let Freedom Ring from Stone Mountain of Georgia” from his beloved “I Have A Dream” speech that scorches dancing feet and heats up the party.

11.  Is that Cinthie’s “Everything I Say?”

10.  Hearing the galactic sounds of Sandman & Riverside featuring Jeremy Ellis’ “Into Your Story.” The Kai Alcé Distinctive Remix, enough said.

09.  Boom!!! Detroit Techno steps into the room. Kevin Saunderson presents Inner City’s “Good Life,” causes ears to bleed, not from the content, but the volume that is pitched to screeching decibels. 

08.  Experiencing the jazz ambience of Gregory Porter’s “On My Way To Harlem” (Kai Alcé Interpretation Radio Edit) that closes Kai’s musical selection. 

07.  Watch out! Onstage, don’t get stabbed by the spikes of stilettos from the woman wearing big hair. 

06.  Sharing hearty hugs with familiar faces from yesteryear; the King, the 2-stepper, and the Tambourine Man.   

05.  Ron Pullman taking the decks and surprises playing Tamia’s “Still” (D.F.A Mix). 

04.  Smiling as Mrs. Nightingale with eyes closed mouths every lyric to Shaun Escoffery’s “Space Rider” (Spinna & Ticklah Mix). 

03.  Behold, standing, surrounded in a zombie apocalypse of mouths lipping, “If I lose my woman.” The sight is uncanny. Even Mr. Kai Alcé is entranced, 2 stepping, spinning around and singing on cue to the classic Kenny Lattimore (Masters At Work Remix). 

02.  Experiencing the peak hour rush of being raptured by Peven Everett’s “Burning Hot.” The Timmy Regisford & Adam Rios Mix ignites the room in flames. Sending dancers to the floor and bodies capsizing midair. 

01.  The AS-MLK Edition’s brainchild Cullen Cole getting on the decks and delivering spaced-out sounds.

wrds: aj dance

grphcs: aj art

OSUNLADE

“I NEED ONE LINE. I’M NOT LETTING ANYONE INSIDE UNTIL I SEE ONE LINE FOLKS. Shouts the familiar doorman, who is serious business, his burly body blocking the door’s entrance.  “I NEED TO SEE BARCODES [sic] ON YOUR TICKET TO ENTER.” (more…)

Ameer Brooks & Themba 

22:00-23:30

Twenty dollars to park? Suck it up. The lot is spacious. Monitored. And clean.   As the outdoor temperature plunges, security pats down the body, checking for the prohibited. Flash your ID, and a scintillating smile. Enter the long corridor, the black-velvet rope queue, is empty of souls waiting to pay the door fee. Two blondes, mid-conversation, scanning your electronic ticket, point you upstairs where a man, dressed in all black, stands. His hand waves you left. Gaze at a minibar bedecked by urban lounge décor. To its left, behold 16,000 square feet of rich porous and fibrous elegance-wood floor tiles, wood columns holding up level two vicinal wood walls, the elongated wood bar, the wood concert stage elevating the wood DJ station all highlighted with green palm trees-that appears to stretch into forever. As your feet traverse down wooden stairs. Already you feel like a VIP.

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BLACK COFFEE

01:00-03:00

The horror unfolds.  They are everywhere. A sea of them is seen. Held in the air. All various sizes. The soft glow of screens. Their displays all read the same. Blackness and flashes of purple pixels. Is this a venue tradition? The gathered mass, standing erect, pulled out smartphones to film onstage the musical shaman playing.  

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LEM  of MOOD II SWING

22.06

Pride Closer

“Geeoooogia.” The emphasis pronounced in drawl. “You’ve traveled here? For this?” A heavyweight doorkeeper asks as he returns a peach-stamped driver’s ID.

“Of course. I would not have missed tonight,” an enthusiastic voice replies as the license is obtained.

The bouncer beams with confused pride. “Welcome.” (more…)

MISSING YOU

Whatever happened to Kim English? The question crossed my mind mid-jog one pleasant Thursday evening. There had been no Kim English news. No Kim English new music, in what felt like ages. Not even a digitally remastered greatest hits package to download. After all, when you’re hot you’re hot, when you’re not you’re not. Kim once sang.   The feeling of her utter abandonment from the music industry felt all too real. More shocking was the utter abandonment from her fans with no goodbye. Of course, she had social media accounts with sporadic casual posts that offered little.  I assumed Kim lived a more private life.  I guess she’s busy ministering in church. The latter thought comforted me. Little did I know, five days later the vocalist would transition from this life. (more…)