JAMIE 3:26 05.05.12

JAMIE 3:26

The Chicago Invasion Continued…..

A treasure trove stood before the eyes. Back at Space2, along the wall behind the makeshift DJ platform hung historic prospectus from club land’s bygone era. On the exposed wall Lil Louis hung next to Ron Hardy that hung next to Parrish Thomas. The decorated display was a who’s who in Chicago house music history. A time when house music was a lifestyle during the opulent 1980’s hey day. One of those pioneers-a second generation Chicago DJ-guest headlined at Chicago native/Atlanta resident Ramon Rawsoul’s monthly, “The Gathering.”

Jamie 3:26 (pronounced three too six) showed up like a prize-fighter. The Chicagoan moved cocksure and swiftly mimicking a South Side Chicago boxer. Like he had something to prove. When a DJ opens with Chicago’s outspoken Peven Everett’s, “Simmer” (Timmy Regisford Mix) there’s nothing to prove. The second generation house master’s brilliancy shined through a panoply of beats from award nominated genres. Runner-ups included broken beat, afro-house, classic house, vocal house and underground tracks. The party’s reigning champion went to Chicago’s South Side disco. That disco, the soundtrack to the uninhibited 1970’s, caused pandemonium in front of the makeshift DJ booth. A small crowd of forty-plus year olds had gathered and waged animalistic war. Imagine moms and pops imitating wild African animals in heat. Had the savages worn animal fur the textured pieces would have been skinned-bare. Leopard print bell bottoms? Destroyed. Ripped to shreds. Oversized afros? Gone. Torn off heads. Sounds of high-pitched hyena sibilants, cackling howls and roaring growls were heard courtesy the brute. Carnivorous claws sliced the air, the shaking of heads-possessed-jerked from left to right as teeth gnashed. A ravage spectacle of outright barbarism consumed the room. People, Please Clear The Area. Move away from the predators. The prey was bound to die.

Jamie packed a punch. The silver-haired mixologist delivered several rounds of blows to the audience. Take Diana Ross’, “Love Hangover.” The bass disappeared. The highs were tweaked and played at high decibels. Then BAM!!! (The crowd loses it.) The bass slammed the place. Precisely on eight-counts, the beat thumped harder, louder and more powerful than ever. On Anto Vitale’s,Theorma Del Faya(Tea Party Vocal) Jamie bobbed and weaved, anchored one shoulder upright as a boxer protecting his/her face from an incoming right hook. Peek-a-Boo. Jamie bounced up and down on the balls of his heels with a swift shuffle of the feet as all twelve fingers danced on the mixer. This is the type of DJ that anticipates what the crowd needs (not wants) and causes the audience to follow. Too bad the entertaining match would last for only TWO brief rounds (hours). The South Sider hadn’t made it to a T.K.O. Had the people got their money’s worth?  Why invite a legend from over seven-hundred miles away to play for only TWO hours? Are the fees worth spent having a guest headliner play less than three hours? Assuming so, this mind buckling trend seems to be spreading like wild fire in clubs across the country. Resident DJs are insisting on closing out their parties. Honestly, the majority of the crowd comes out to witness the event’s special guest talent. With that said, the people would have loved MORE Jamie 3:26. Here is to next time and hopes of more Jamie. After all it’s not often we get a chance to experience such a music legend.

Photography by AJ Dance

The Chicago Invasion Continued…..

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